Who recorded it first

Fly Me to the Moon

Not a Frank Sinatra original — a 1954 Kaye Ballard single for Decca

Frank Sinatra’s swaggering Count Basie recording is so total a possession of this song that most people assume he made it first. He didn’t. Bart Howard wrote it in 1954 under the title “In Other Words,” and the first commercial recording was Kaye Ballard’s, issued by Decca in April 1954 as the B-side of her single “Lazy Afternoon.” Sinatra’s version came in 1964, on the Reprise album It Might as Well Be Swing.

The record

Who recorded it first

Record
“In Other Words”
Artist
Kaye Ballard
Label
Decca Records, catalogue 29114
Released
April 1954, as the B-side of “Lazy Afternoon”

Released Issued by Decca Records (catalogue 29114) in April 1954 as the B-side of Kaye Ballard’s single “Lazy Afternoon,” a song from The Golden Apple, the Broadway show she was starring in. It carried the song’s original title, “In Other Words.”

Charted Did not chart. It was a B-side, reviewed but not promoted — Billboard’s 8 May 1954 notice called it a love song sung with feeling by Miss Ballard, and that was largely that.

Hear Kaye Ballard, “In Other Words” — the April 1954 Decca original, transferred from the 78. archive.org · Not a fan upload: this is the Internet Archive’s 78rpm / George Blood, L.P. preservation collection, a direct transfer of the physical Decca 29114 disc with matrix number W86143T3A logged in the item metadata. Its running time of 137.6 seconds matches the 134-second length MusicBrainz records for the recording on the 1954 “In Other Words / Lazy Afternoon” single, the small excess being 78 lead-in and run-out — so this is the 1954 record, not a later re-recording.

Following the record

The Wikipedia article on the song ↗ dates Bart Howard’s composition to 1954 under the title “In Other Words,” names Kaye Ballard’s Decca release of April 1954 as the first commercial recording, and cites a Billboard review of 8 May 1954.

The Songwriters Hall of Fame profile ↗ independently describes Ballard’s Decca record as the first commercial recording and traces the 1963 title change to Peggy Lee.

The physical disc survives: the Internet Archive’s preservation transfer of Decca 29114 ↗ logs the label, catalogue number, April 1954 date and matrix number W86143T3A.

In 2026 the Library of Congress added the recording to the National Recording Registry, listed as “Fly Me to the Moon (In Other Words)” — Kaye Ballard (1954) ↗.

Fly Me to the Moon — origins, title change and cover history
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Fact-check

Right song, wrong originator

Sinatra’s 1964 recording is so dominant that it is routinely treated as the song’s point of origin. The record itself is a decade older, and came out under a different title.

The beliefCover, 1964

Frank Sinatra

His Reprise recording with the Count Basie Orchestra, arranged by Quincy Jones, appeared on It Might as Well Be Swing in August 1964. It is the version almost everyone means — but it is not the first.

The originalFirst recording, April 1954

Kaye Ballard

Ballard made the first commercial recording, issued by Decca (29114) in April 1954 as the B-side of “Lazy Afternoon,” under the song’s original title “In Other Words.” Billboard reviewed it on 8 May 1954.

The writerComposer and lyricist

Bart Howard

Howard wrote words and music in 1954 while working as MC and intermission pianist at New York’s Blue Angel, where Ballard was a familiar performer. Neither Ballard nor Sinatra had a hand in writing it.

The titleWhy it is not called “In Other Words”

Peggy Lee

Lee recorded the song in 1960 and performed it on The Ed Sullivan Show, then persuaded Howard to make “Fly Me to the Moon” the official title in 1963 — before Sinatra ever recorded it.

Written by Bart Howard in 1954 as “In Other Words”; first recorded by Kaye Ballard, Decca, April 1954; made famous by Frank Sinatra in 1964.

Context

How a B-side became a Sinatra song

The original is not obscure because it was bad. Ballard’s Decca record is a straight, unhurried cabaret ballad in 3/4 — roughly two and a quarter minutes of it — and it did exactly what a B-side was built to do in 1954, which is sit quietly behind the A-side and be forgotten. The A-side, “Lazy Afternoon,” was the commercial proposition; it came from the Broadway show Ballard was starring in.

What eclipsed it was not Sinatra directly but a chain of interpreters. Peggy Lee sang it on her 1960 album Pretty Eyes and on The Ed Sullivan Show, and it was Lee who persuaded Howard to change the title officially in 1963. Joe Harnell’s bossa nova instrumental was the song’s first genuine chart hit, reaching No. 14 on the Billboard Hot 100 in February 1963 and winning a Grammy. Only after all that did Sinatra, Basie and Quincy Jones arrive and put a lid on the matter.

The chronology, step by step
  • 1954 — Bart Howard writes the song as “In Other Words.”
  • April 1954 — Kaye Ballard’s recording is issued by Decca (catalogue 29114) as the B-side of “Lazy Afternoon.” Billboard reviews it on 8 May 1954.
  • 1960 — Peggy Lee records it for her album Pretty Eyes and later performs it on The Ed Sullivan Show.
  • 1962–63 — Joe Harnell’s bossa nova instrumental reaches No. 14 on the Billboard Hot 100 on 23 February 1963 and wins a Grammy at the 5th Annual Grammy Awards.
  • 1963 — at Peggy Lee’s urging, Howard officially retitles the song “Fly Me to the Moon.”
  • August 1964 — Frank Sinatra’s version appears on the Reprise album It Might as Well Be Swing, with the Count Basie Orchestra, arranged by Quincy Jones.
  • 2026 — the Library of Congress adds Ballard’s 1954 single to the National Recording Registry.
A B-side did its job perfectly: nobody noticed it.

The original recording artist

Kaye Ballard

1925–2019 · American singer, comedian and Broadway star

Born Catherine Gloria Balotta in Cleveland to Italian immigrant parents, Ballard came up as a musical comedienne — a stint with Spike Jones and His City Slickers, then the New York cabaret circuit. In early 1954 she was starring on Broadway in The Golden Apple, and for the flipside of her “Lazy Afternoon” single she picked a new song by the pianist and MC at the Blue Angel club. She is best remembered today for television — The Mothers-in-Law, Hollywood Squares — but the Library of Congress inducted this 1954 single into the National Recording Registry in 2026.

Popularly credited as the original

Frank Sinatra

1915–1998 · American singer and actor

Sinatra cut the song in 1964 with the Count Basie Orchestra, arranged and conducted by Quincy Jones, for the Reprise album It Might as Well Be Swing. He recast a tender cabaret waltz as a hard-swinging 4/4 showpiece, and the arrangement is so definitive that it effectively rewrote the song for everyone who came after. It then travelled with NASA’s Apollo programme and became the record most people mean when they name the title. The only error in the popular account is chronological.

The songwriter

Bart Howard

1915–2004 · American songwriter and pianist

Born Howard Joseph Gustafson in Burlington, Iowa, Howard accompanied Mabel Mercer in the late 1940s and spent the 1950s as MC and intermission pianist at New York’s Blue Angel. He wrote this song in 1954 as “In Other Words,” and in 1963 agreed to retitle it after the phrase everyone was already using. By 1964 he reckoned it had been recorded more than a hundred times, and its royalties supported him for the rest of his life. The Songwriters Hall of Fame named it a Towering Song in 1999.