- Credited to
- Dante Alighieri
- Alleged work
- The Divine Comedy (c. 1308–1321)
- Status
- Modern paraphrase — not in Dante’s text
The path to paradise begins in hell.
No primary source exists for this sentence. It compresses the journey of the Divine Comedy — descent through Hell (Inferno), ascent of the mountain of purgation (Purgatorio), and arrival in Heaven (Paradiso) — into a single modern line Dante never wrote.
Dante Alighieri on Wikiquote (sourced quotations) ↗
How we verified this
- The line is served up by quote aggregators crediting Dante — e.g. Goodreads ↗ — but with no cited canto, translation, or edition, and the site itself notes such quotes are “not verified.”
- It is absent from both the sourced and the Misattributed sections of Dante’s Wikiquote page ↗, which does document his genuine lines such as “Abandon all hope, you who enter here.”
- It appears in no standard English translation of the Divine Comedy ↗; it condenses the poem’s three-realm arc into one aphorism.
Because the exact wording matches no located primary source and is an anonymous modern paraphrase with no identifiable first publication, no copyright status can be responsibly asserted. Dante’s medieval Italian original is long in the public domain, but that is a different text from this English line.
Rights status is our research, not legal advice — and copyright varies by country and edition. For commercial or published use, confirm with the rightsholder. See terms.
Dante’s Divine Comedy is built as a single upward journey: the pilgrim can only reach the light of Paradise by first descending through the whole of Hell and then climbing the terraces of Purgatory. That structure is so memorable that it invites exactly this kind of summary — a one-sentence moral of the whole poem.
The problem is that the summary has been promoted from paraphrase to quotation. Stripped of quotation marks around whose words they are, aggregator sites present the modern gloss as if Dante penned it, and it circulates as a verified line when no primary text supports it.
The thought is Dante’s architecture; the sentence is a modern caption for it.