Who recorded it first

Land of 1000 Dances

Not a Wilson Pickett original — a 1962 Chris Kenner single on Instant

Wilson Pickett’s 1966 Atlantic recording is so definitive that most people assume he originated it. He did not: the song was written and first recorded by New Orleans R&B singer Chris Kenner, released as a single on Instant Records in 1962. Kenner wrote it himself — reportedly building it on an old spiritual — and his record only crept to No. 77 on the Billboard Hot 100. Even the chanted hook everyone sings belongs to neither man: Cannibal & the Headhunters added it on their 1965 Rampart single.

The record

Who recorded it first

Record
Land of 1000 Dances
First recorded by
Chris Kenner
Written by
Chris Kenner
First release
1962 single, Instant Records

Released Issued in 1962 as a 7-inch single on Instant Records, backed with “That’s My Girl.” An eighteen-second gospel-influenced a cappella opening was trimmed from the released single to help radio play it.

Charted Reached No. 77 on the Billboard Hot 100 — a minor showing for what became one of the most-covered songs of the era.

How the song travelled

1962 — Chris Kenner writes and cuts it for Instant, which issues the single in October; it peaks at No. 77 on the Hot 100 in 1963, per Wikipedia’s account of the song ↗.

1965 — Cannibal & the Headhunters ↗ reach No. 30 on Rampart and introduce the chanted hook.

1966 — Wilson Pickett ↗ records it at FAME for Atlantic and takes it to No. 6 pop and No. 1 R&B.

1983 — The J. Geils Band returns a live version to the Hot 100 at No. 60, one of dozens of revivals.

Wikipedia: Land of a Thousand Dances — originals and covers
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Fact-check

Setting the record straight

Three separate acts have a claim on why you know this song, and the one most people name is the last of them.

The belief1966 cover

Wilson Pickett

His Atlantic single, cut at FAME Studios in Muscle Shoals in May 1966, hit No. 6 pop and No. 1 R&B and became the definitive version — but it is a cover, four years after the fact.

The original1962, Instant Records

Chris Kenner

Kenner recorded the song first and Instant issued it as a single in 1962, backed with “That’s My Girl.” It reached only No. 77 on the Billboard Hot 100.

The writercredited to Kenner and Antoine Domino

Chris Kenner

Kenner wrote it himself, reportedly adapting an old spiritual — the writer and the first recording artist are the same person here. Labels and the copyright registration nonetheless read “C. Kenner – A. Domino”: Kenner gave Antoine “Fats” Domino a half-share of the credit and royalties in exchange for Domino recording the song, which he did in 1963.

The hook1965, Rampart

Cannibal & the Headhunters

The chanted vocal figure everyone associates with the song is not on Kenner’s record. Frankie “Cannibal” Garcia improvised it in 1965 after forgetting the words; Pickett kept it.

Written and first recorded by Chris Kenner, 1962, Instant Records. Wilson Pickett’s 1966 Atlantic version is the famous one, not the first one.

Context

Why the cover ate the original

Kenner’s record is a list song — a roll-call of roughly sixteen dance crazes of the early 1960s, from the Pony to the Mashed Potato to the Watusi. It was built for a moment, and the moment moved on. His original take even opened with an eighteen-second gospel-flavoured a cappella passage, which was cut from the single so radio would play it. A No. 77 peak meant most of America never heard it at all.

What turned a period novelty into a permanent standard was an accident in East Los Angeles. Cannibal & the Headhunters cut a version that Rampart released in February 1965, and when Frankie “Cannibal” Garcia lost his place in the words he filled the gap with a chanted vocal figure. That hook — not in Kenner’s record — is what everyone now thinks the song is. Pickett kept it, put the Muscle Shoals rhythm section and the Memphis Horns behind it, and made the definitive record of a song he neither wrote nor first sang.

The chronology, step by step
  • 1962 — Chris Kenner writes and records the song; Instant Records issues it as a single in October, backed with “That’s My Girl.” It reaches No. 77 on the Billboard Hot 100 in 1963.
  • 1963 — Fats Domino records it for ABC-Paramount, released on the album “Here Comes… Fats Domino”; his version flops, but it is why his name sits on the composer credit.
  • 1965 — Cannibal & the Headhunters release their version on Rampart in February; the improvised chanted hook is added here. It reaches No. 30 on the Hot 100, and the group goes on to open for the Beatles at Shea Stadium and the Hollywood Bowl.
  • 1965 — Thee Midniters, also from East Los Angeles, chart with their own reading, reaching No. 27 in Canada.
  • 1966 — Wilson Pickett records it at FAME Studios in Muscle Shoals on 11 May; Atlantic releases it in July. No. 6 pop, No. 1 R&B, No. 22 UK.
  • 1983 — The J. Geils Band takes a live version to No. 60, one of many later revivals.
The hook everyone knows was a lyric someone forgot.

The original recording artist

Chris Kenner

1929–1976 · New Orleans R&B singer-songwriter · Instant Records

Born in Kenner, Louisiana on Christmas Day 1929, Chris Kenner sang gospel before moving to New Orleans and working the docks as a stevedore. Paired with pianist and arranger Allen Toussaint at Instant Records, he hit No. 2 on the Billboard Hot 100 in 1961 with “I Like It Like That,” which earned a Grammy nomination. “Land of 1000 Dances” followed in 1962 and became the more durable song, even though his own record stalled at No. 77. Heavy drinking and a 1968 conviction derailed his career, and he died of a heart attack in 1976 at 46.

Popularly credited as the original

Wilson Pickett

1941–2006 · American soul singer · Atlantic Records

Pickett cut his version at FAME Studios in Muscle Shoals, Alabama on 11 May 1966, backed by the Muscle Shoals rhythm section and the Memphis Horns, and Atlantic released it that July. It went to No. 6 pop and No. 1 R&B, and Dave Marsh later placed it at No. 152 in his 1989 book “The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made.” It deserves the reputation — it is one of the great soul records, and Pickett is in the Rock and Roll Hall of Fame. The only error is chronological: he arrived years after the fact, not first.